Transmediale
Humberto Maturana and Ximena Davila, Círculo reflexivo at Transmediale 08 in Berlin
Watch all the lecture= 9 videos.
What's the point? (Transmediale continued...)
We came across this installation in Berlin which we noticed in a gallery window on Invaliden St. (sorry, no artists name). For a few moments it engaged our complete attention, perhaps because it was kind of unique. Although, I didn't like it. I felt that it kind of summed up my experience of Transmediale in general - a more intensive introduction to the world of pointless art!
- lukehearn's blog
- Login to post comments
- Read more
Transmediale 2006: high's/low's
As someone who hasn't ever had any inclination in writing a diary, I am finding it hard to maintain momentum with blogging (hence the reason so long since my last post). I must admit I can't help thinking that regurgitating thoughts into the digital void is sometimes rather pointless, however, I am in the process of re-educating myself about this matter. It has also occurred to me that maybe through the sequential description of events, I can identify a more critical approach of discussing something.
- lukehearn's blog
- Login to post comments
- Read more
Good Bye Reality! How Media Art Died But Nobody Noticed
Submitted by Anon on Tue, 2006-02-07 16:11Subjective notes about Transmediale 2006
The festival Transmediale is one of the oldest and biggest of its kind in Europe. Held annually since 1988, it started out as a video festival. In the early days the VideoFest, as it was called then, featured works which did not fit into the programme of the Berlin Film Festival - the star studded - drum role, fanfare - Berlinale. In the early 1990s the festival started presenting interactive works on CD ROM - I think this was called multi-media at the time. With changing technologies - adopting net art and generative and software art in the late 1990s - the festival kept true to its beginnings by maintaining the notion of critically engaging with new technologies and presenting a broad spectrum of alternative currents in art, technology and related theoretical production.